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Poem of the month - May 2007

Voyeur

I ask her, what’s sexy? Watching, she says.
But watching what? Four strangers making love?
No. Seeing what you’re not supposed to see?

No. Thrilling yourself in a hall of mirrors?
Glimpsing the ocean? Looking over the edge
and knowing how easy it would be? No.

How about watching our awkward shape hauled
Into the net at last? The gup of a toad’s throat
springing back into place? No. Just watching.

How about watching the foreshore folding
and folding its constant hunch of luck?
The lone, long walker reaching home at last?

No. Watching a bass string throb and settle
at the end of the final song? The island ferry
returning late and empty, bumping the jetty?

The long cosh of a thaw? An advancing swarm?
No. Just watching, she says and stares
as the ocean booms beyond the window.

Her tea-green eyes. Her brazen hair.
The malt-musk of Laphroaig about her mouth.
The rutting motion of the rocking chair.

Roddy Lumsden 

Poem supplied by the Scottish Poetry Library

About the Poet

Roddy Lumsden; Photo: Joanna Quinn, Bloodaxe Books

Roddy Lumsden's most recent publications are 'Mischief Night - New and Selected Poems' (Bloodaxe) and a new pamphlet, 'Super Try Again' (Donut Press).

He teaches at City University and Morley College in London and is organiser of the monthly reading series, BroadCast. His fifth collection 'Third Wish Wasted' is due from Bloodaxe in 2008. He works as a puzzle and quiz compiler and reference editor.

Roddy says:

'My second collection of poetry, The Book of Love (2000), begins with a series of poems about love and sex. I looked for fertile ground among the erotic-isms and recalled someone looking askance when I described myself as a voyeur. Of course, it's a vague word, covering everything from someone with a keen visual sense to someone with a serious kink. This is how the poem began. Miscommunication between man and woman has been a strong theme for me, and in Voyeur, the male questioner struggles to pin down the woman's elusive answer. I tried to use arresting visual images to offset the awkwardness of the question and answer format of the piece. My favourite lines are those which probably don't stand up under the miscroscope of actuality ('the long cosh of a thaw' and the 'foreshore' image).

I wish I could find a formula to explain to my students (and myself) when it is effective to use such small, inexact metaphors. The 'lone, long walker' makes an appearance from Duncan McLean's story 'Hours of Darkness', a favourite with both myself and Alan Warner, who was inspired by it for his novel 'The Man Who Walks'. But my main memory of writing Voyeur is of the months it sat on file, lacking an ending. The last four lines came only when I had a deadline for the book and I can still see the join, like a row of clumsy stitches. I hope others can't!'

Related links
* Scots Poem of the Month
* Scottish Poetry Library
* Literature Homepage
 
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